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"Mouza Talib is a village in District Chiniot on Chak Jhumra road, Punjab, Pakistan. It is in Tehsil Chiniot's Union Council # 13 and is 8-km away from the Faisalabad to Pindi Bhattian Motorway M3 Sahianwala Interchange. Its Latitude is 31° 41' 28.08"N, and Longitude is 73° 0' 59.49"E. The people of Talib use M3 to commute as it is 140 kilometers away from Lahore and 30 kilometers away from Faisalabad. Nearby towns are Chak Jhumra, Chiniot, Sargodha, Lalian, Bhawana, Rabwah (Chenab Nagar), Faisalabad and Pindi Bhattian. By road, Talib is connected to Barnala, Chak Jhumra, and Chiniot. The most famous things in Talib are Darbar Baba gard Ali, Canal Bridge, Government Primary school for Boys Girls and Government Middle school for girls. Before 1947 Mouza Talib' was inhabited by two young men from the Khokhar clan during Raja Ranjit Singh's rule over Punjab, they got married in a nearby locality and the population rose in the following years. Before the independence of Pakistan in 1947 era when India was a British colony Hindu Khatri were also living in the village and most of them were land lords with control over business and agriculture, and their terms with the Muslim community were not good, for instance, Muslims had to slaughter cows or bulls on their marriages by ensuring Hindus were out of sight to avoid any possible fight. Independence of 1947 On 14–15 August 1947, Pakistan and India came into being respectively. Those Hindu Khatris migrated to India, leaving behind their property both (residential and agricultural) and it went into the hands of local Muslims, mainly Khokha's and Harals. The Government of Pakistan asked them to leave this village in advance for the migrants they were expecting to pound in from India, and offered them to possess a newly allocated village, Khichian, near Brnala, but they declined to do so and consequently had to leave agricultural lands for the migrants, mainly Gujjars and Arain. By this time the previous offer by the Government for a new village also lapsed. So the locals once again became dependent. After 1947 The immigrants and locals could not be adjusted on the go and developed some sort of enmity because of clashes in customs, language and wealth level, but the locals went on working hard in the later years, while others mainly Gujjars were enjoying the pleasures of life; this slowly but steadily changed the ultimate uphold of lands in favour of locals. Castes This village consists of four major families * Khokhar * Gujjar, * Haral, and * Arain other supporting castes include * Kumar * Nai * Tarkhan * Muslim Shaikh * Lohar * Machi * Awan * Aasi * Changur * Miraci * Badher * Tarrar Facilities This multi-ethnic population numbers near 7000 and much of this population is illiterate, and conditions of public facilities are poor. A Civil hospital exists three kilometers away from the main population area. Water sanitation and drainage are the burning issues these days. Economy The economy is meager and agricultural mostly. Some people are Government employees. A canal from Jhang Branch passes through the village. Irrigation water for land comes from this canal, also the land is very fertile. Some people go to Faisalabad, Lahore and Karachi for earning wages. Professions * Farming * Government Employment * Trading (milk, charra, animals) * In service sector (bankers, electricians) * Manufacturing sector (rice mill employees, textile mill employees) * Artisans (wood carvers, tailors) * others See also * Chiniot * Chiniot District * Chiniotis * Chiniot Tehsil References * map * a local old man (Bahli, age 90 years) for most of the information Category:Villages in Chiniot District "
"Philip Jeays (born Philip Harris on 24 June 1962) is a British singer- songwriter. He writes and performs songs in a style close to the tradition of French chanson but in the English language. His main influences are Belgian singer-songwriter Jacques Brel and English singer-songwriter and poet Jake Thackray. Musical beginnings After growing up in Somerset, East Sussex and London, Philip moved to the south of France for six months to paint. There he was introduced to the songs of Jacques Brel which inspired him to start writing songs himself. Back in England, he was taught to sing by his mother, who had trained as an opera singer at the Royal Academy of Music, started playing a guitar and then changed his name to Philip Jeays, after his maternal great-great-grandfather. Early performances His first performance in 1985 at Hampton Wick Folk Club was well received. Due to nerves he didn't perform again until 1989 when he took part in an acoustic and poetry club night in Clapham, London. He releases his first recordings on cassette in 1990 and starts performing with guitarist Max Warner. This set up allowed him to 'perform' the songs more without the restraints of a holding a guitar. After a near fatal car crash in 1992 he recovers and continues to perform around various small clubs in London. The band In 1995, he teamed up with guitarist and bass player William George Q and pianist David Harrod. The trio first performed at the Vortex Jazz Club in Stoke Newington and then at various London venues. He is spotted by singer-songwriter Tom Robinson who offers him a support slot at the Borderline in June 1996. Over the next few years he performs at the Edinburgh Festival, Vancouver International Comedy Festival and also on various radio networks. Guitarist John Peacock replaces William George Q, and the trio is joined by drummer Jezza Campbell. Recordings Philip releases his first CD 'October' on his own Ditton Pye label. He also contributes to two Radio 4 programmes 'Singing in the Wilderness' (presented by Tom Robinson and 'Chanson' presented by Kit Hesketh-Harvey. He continues to record and release albums 'Cupid Is A Drunkard' (2000), 'The Ballad Of Ruben Garcia' (2002), 'Fame' (2003) and 'Mr Jeays' (2005) while performing at various venues around London, Sussex and occasional trips up to Leeds, Hull and Manchester. He usually either performs solo or with a group of musicians from Brighton that include Paul Stapleton, Kerry Stapleton and Simon Goble. Battersea Barge Since the early 2000s he has staged The Jeays Christmas Extravaganza at the Battersea Barge, London. This has continued to be a popular annual event among Jeays fans and features Phil performing with David Harrod, Jezza Campbell, John Peacock, William George Q and, more recently, Kerry Stapleton on double bass. The setlist for the Christmas shows is made up of requests from the audience who are given a raffle ticket at the door. Before each song Philip will pick out and read a raffle ticket number and take a song request from the ticket holder. The show is usually hosted by poet Geoff The Speech Painter who performs a support slot at the start of the evening. John Peacock has also performed a short set as support. Besides the Christmas shows, Philip and the band have also performed album launch shows around the time of each CD release. In the last two years, the band have performed more regularly at the venue featuring various support acts. Supporting Robin Ince In 2006, Phil was invited to perform as part of 'Robin Ince Loves Books' shows at the Bloomsbury Theatre and The Albany in London. He performed as support on Robin Ince's 'Bleeding Heart Liberal' tour of the UK in 2009 and also on Robin's Nine Lessons and Carols for Godless People shows at the Bloomsbury Theatre and Hammersmith Apollo. More recently Phil performed at Robin Ince and Brian Cox's 'End of the World Show' at the Hammersmith Apollo in December 2012. Discography * October (1999) * Cupid Is A Drunkard (2000) * The Ballad Of Ruben Garcia (2002) * Fame (2003) * Mr Jeays (2005) * London (2009) * My Own Way (2012) * The Widest Walk (2015) External links * Philip Jeays' official website Category:English singer- songwriters Category:Living people Category:1962 births Category:People from Taunton Category:Musicians from London "
"The Brazilian Dental Journal is a bimonthly peer-reviewed medical journal covering all aspects of dentistry. It is abstracted and indexed in MEDLINE/PubMed. The publication of this journal is financially supported by the Fundação Odontológica de Ribeirão Preto da Faculdade de Odontologia de Ribeirão Preto da Universidade de São Paulo, the Programa de Apoio a Publicações Científicas do Conselho Nacional de Desenvolvimento Científico e Tecnológico,> the Ministério da Ciência e Tecnologia (MCT), Financiadora de Estudos e Projetos, and the Fundação de Amparo à Pesquisa do Estado de São Paulo. The editors-in-chief are Jesus Djalma Pécora, Paulo Cesar Saquy, and Manoel Damião de Sousa Neto. External links * Category:Dentistry journals Category:English-language journals Category:Bimonthly journals Category:Publications established in 1990 "